PAINTER
"The domain of Art belongs to the humble, yet it is seldom that we come across an artist who whilst he establishes a samvad would let the eyes listen and talk, urge the colours to be the symphonic notes and the chiaroscuro a balletic move; Abbas Batliwala is one contemporary painter who endeavours to create such an interfacial canvas"
Artist Biodata
Born in 1958 in Udaipur, Rajasthan, Abbas Batliwala achieved his postgraduate degree in Drawing and Painting from Udaipur University. His artistic inspiration draws from folk forms, resulting in artwork that radiates an exaggerated sense of awe. Employing a caricatured figuration, Abbas effectively captivates the audience's attention. This sense of astonishment comes to life through his unique artistic style, featuring large, oversized eyes reminiscent of seashells (kauri). These eyes are intricately drawn and painted, contributing to his distinct aesthetic. The scenes he portrays often carry a touch of melodrama, with his characters frequently appearing intricately intertwined.
Abbas has crafted an accomplished career as an independent artist, amassing numerous accolades and awards at both national and state levels. His artistic journey has encompassed various exhibitions in prominent locations such as Delhi and Mumbai, as well as international art events including the 7th International Triennale – India, the 6th Asian Art Biennale – Bangladesh, and India Month – Rotterdam and Mumbai. His creations have earned a revered place in esteemed collections both within the country and abroad. Notably, his works grace collections at institutions like the Rajasthan State Lalit Kala Academy in Jaipur, Rajasthan, as well as the National Gallery of Modern Art and Lalit Kala Academy, both situated in New Delhi.
The Dhoomimal name is now touching eighty-five years of promoting contemporary Indian art, in this capacity a flagship enterprise within the fraternity, having witnessed the evolution and growth of art and art institutions from their very inception within the country.