"His works and techniques matched all attributes of Modern Art at a global level and are widely collected. His speciality was bold line and mostly figurative subjects distorted in his individualistic style."
K. S. Kulkarni studied at JJ School of Art, Bombay, 1935-42 and highly impressed by the though process of Picasso. He was a visiting Professor, Delhi Polytechnic, 1945-50, 52-61; Dean, Faculty of Music and Fine Arts, BHU, Benaras,1972-78. Bronze Medal, International Exhibition, London, 1947. Represented India, International Arts Program sponsored by State Department and J.D.R. 3rd Foundation, U.S.A; International Art Exhibition, London, 1949; Arthur Newton Gallery, New York, 1951. One-man shows - Franz Bader Gallery, Washington, Watumal Foundation, Honolulu, Dunbar Gallery, New York, World House Gallery, New York, Mordern Art Centre, Zurich, 1958-59; International Exhibitions, Japan and Sao Paulo Biennale, 1959; Gallery Mayer, New York, 1960; Hathorne Art Gallery, New York, 1970. 56, 59, 61, 62, 63, 64, 65, 72 (Retrospective); and several others. His works and techniques matched all attributes of Modern Art at a global level and are widely collected. His speciality was bold line and m...
K. S. Kulkarni studied at JJ School of Art, Bombay, 1935-42 and highly impressed by the though process of Picasso. He was a visiting Professor, Delhi Polytechnic, 1945-50, 52-61; Dean, Faculty of Music and Fine Arts, BHU, Benaras,1972-78. Bronze Medal, International Exhibition, London, 1947. Represented India, International Arts Program sponsored by State Department and J.D.R. 3rd Foundation, U.S.A; International Art Exhibition, London, 1949; Arthur Newton Gallery, New York, 1951. One-man shows - Franz Bader Gallery, Washington, Watumal Foundation, Honolulu, Dunbar Gallery, New York, World House Gallery, New York, Mordern Art Centre, Zurich, 1958-59; International Exhibitions, Japan and Sao Paulo Biennale, 1959; Gallery Mayer, New York, 1960; Hathorne Art Gallery, New York, 1970. 56, 59, 61, 62, 63, 64, 65, 72 (Retrospective); and several others. His works and techniques matched all attributes of Modern Art at a global level and are widely collected. His speciality was bold line and mostly figurative subjects distorted in his individualistic style.
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