PAINTER

M Krishnan

"Though, the main theme remained the same in each painting, he had a fresh approach towards the subject."

It is the fishermen, women and their day-to-day life that had fascinated painter M Krishnan of Madras. His oil paintings, movingly depict this community’s “unending struggle” to make both ends meet. Despite several hours of hard work by the sea, through chilly mornings, sunny middays and stormy afternoons, these people seldom earn enough to afford two meals a day, to say nothing of other necessities. Though, the main theme remained the same in each painting, he had a fresh approach towards the subject. Slipping the fishing net in the sea, a couple of men, women and children sharing a good catch, the study of a tired family returning after day’s work, a women anxiously waiting for a customer, and so on. Krishnan has shown children clinging to their parents. This symbolises their natural desire for parental protection against insecurities of life. Faces of men and women portrayed are calm as the sea in the background but their eyes are very expressive and speak their long tale of...
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Artist Biodata

M Krishnan, born in 1935, Madras. In 1949 Joined Madras Govt. College of Arts and Ctafts; 1954, Diploma in Fine Arts, Madras. Awarded Certificate, Tanjore Art Gallery. Shows: 1962, One man Show; Group Show, Madras; 1963 Group Show Kodaikanal; 1966, One man Show, Madras; 1967, Group Show at Tokyo; 1968, Group Show, New York; 1971, Group Show, Kodaikanal; 1974, Moved to Delhi Art Scene; 1977, one man Show, Natraj Art Gallery, New Delhi; 1980, Summer Art Show; one man show, Dhoomimal Art Gallery. Krishnan was one of the most popular artist of his times and must be one of the few artists who was commercially successful. He died in 1994.

Artworks

Untitled,

Oil on Canvas

ID: MKRI199

PRICE ON REQUEST

Untitled,

Oil on Canvas

ID: KBAL1176

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Untitled,

Oil on Canvas

ID: KBAL1171

PRICE ON REQUEST

Untitled,

Oil on Canvas

ID: KBAL1163

PRICE ON REQUEST

The Dhoomimal name is now touching eighty-five years of promoting contemporary Indian art, in this capacity a flagship enterprise within the fraternity, having witnessed the evolution and growth of art and art institutions from their very inception within the country.


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